The third seminar was held at 9 a.m.on May 20th, hosted by Prof. Poon Wai Soon and Prof. Gong Baorong.
Thesis & Participants:
Zhou Quan: A Story of Revenge: Several Readings of Hamlet——Checking The Strategy of Modern Theatre Criticism from a Text
Pan Wei: The Artistic Expression of Uncertainty Principle in Contemporary Western Drama
Jian Heyan: On the Self-independence of the Dramatic Literature Creation
Lee Sang-Beom: The Education and Practice of a Drama Class
Liu Yanhui: The Use of Case Study in Teaching of Traditional Scriptwriting Theory: Taking the Example of the Concept “Scene”
Nanzad Naidan Gankhuyag: Renovation and Impoverishment of Play (On the Sample of Namdag)
Batsakhan Dashdondog: Some Aspects of Mogolian Playwriting Development
Ai Di: The Influence of the Classics and Intertextual Response——Taking “The Secret Love in the Surrendipity of Peach Blossom” As Example
Chen Xiaoling: The Thinking of home written by Cao Yu
Wang Qiang: The Power of Integration——On Educational Resources Integration Through the Characters of the Classic Works “The Red Mansion”
Zhang Duan: On Teaching Acting and Directing as a Compulsory Course for Creative Writing Major