ATEC 3rd International Forum: Stage Design Training – Today and Tomorrow
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Choi Jeung-Il Contributing Editors: Xia Bo, Zhang Yin, Zhu Ning Editor-in-Charge: Hu Jin Publisher: Culture and Art Publishing House Printed by Guoying Printing Co., Ltd. First Edition: Nov., 2008 Printed in Nov., 2008 (1st Edition) 500,000 words/characters ISBN 978-7-5039-3594-7
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Contents
Two Thoughts on Improvement of Professional Training of Stenographers
007 Zhang Kangmei
Stage Design Training and Culture Identity
015 Park Dong Woo
The Potential for Inclusion of Theatrical Design in an Art Curriculum Aimed at Fostering Children's Sensibilities
025 Junho Ueda
Future Aesthetics Built on Past Developments: Design as Performance
031 Michael Ramsaur
Teaching and Practice of Stage Lighting in NSD
044 Suresh Bhardwaj
Tomorrow's Scenography
062 Peter Cooke
Digitalization Impact on Teaching of Scenography
082 Huang Yiru
Development of the Classic & Vogue of "Academism"—On the Innovation of Costume and Cosmetic Teaching
095 Xu Jiahua
Stage: An Embodied Experience
108 Youngju Baik
Thoughts on Stage Designer Training on the Second Semester of the Third Year—Designs of Traditional and Classical Opera Courses
120 Dang Ning
Incorporating Elements from a Varity Resources is an Important Method for Costume Design
135 Zhao Weiyu
Training and Practice of Stage Design—Achievements Made in the Area and Issues to be Addressed
141 Shafi Ahmed
Minimalism and Stage Design
148 Chen Zhiquan
Application of Opera Element in Teaching—Thoughts on Lighting Design Training for Traditional Operas
157 Ma Lu
Characteristics, Adaptation and Development—Thoughts on the Training for Stage Make-up Design
164 Wang Xiaohong
Scenography of the Traditional Dance Drama
179 Qin Ye
A Road Show as Practical Training in Stage Lighting
187 Keiji Okubo
The Relationship among Contemporary Art Concepts, the Development of Stage Design and Teaching
201 Liang Tao
Teaching and Practice of Opera Costume Design for Chinese Traditional Operas
211 Liu Xiaoqing
Designing For Devised Theatre
225 Yu Haibo
Modern and Innovative Scenography Expanding Horizons—A Discussion on the “Modernization” of Scenography and Traditional Chinese Opera
240 Cai Tiliang
The Problems and Concerns of Costume Design for Big Events
255 Han Chunqi
The Value of Diversification: The Trends of Lighting Design
267 Feng Dezhong
Thoughts on History of Performing Arts Course
281 Wang Xinhua
The Design Training for Chinese Traditional Operas and Wester Operas
296 Bian Wentong
Material Modelling and Image—A Talk on the Basic Training for Stage Design
312 Sun Daqing
Distorted Fairies—On the Make-up Design of "Lucky Per's Journey"
328 Tian Dan
Researches on the Training of Stage Technical Management
341 Guan Jianbo
Creativity and Professionalism Shown in the Basic Training of Scene Painting
357 Zhang Hongchen
Thoughts on Teaching of Costume Accessories History
370 Chen Xianqun
DMX512 Control Protocol and the Lighting Network
386 Xu Tong
"Running around the Pillar": the Time and Motion in the Painting "Jing Ke Assassinating Emperor Qin Shihuang”
411 Zhao Chen