Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Choi Jeung-Il Contributing Editors: Xia Bo, Wang Yana, Zhu Ning Editor-in-Charge: Ru Yi, Fang Yuju Publisher: Culture and Art Publishing House Printed by Beijing Tongzhou Yunhe Printing Co., Ltd. First Edition: May, 2011 Printed in May, 2011 (1st Edition) 450,000 words/characters ISBN 978-7-5039-5096-4

Contents

Research in Theatrical Planning and Production in the Department of Theatre at Nihon University: From Its Beginnings to the Present

004 Matsubara Tsuyoshi

The Status of Art Management Education in China

016 Shang Ergang

Necessity for Interdisciplinary Education for Theatre Planning and Productions

032 Kim Jong Woo

Questions of Opera-acting Training in Central Asia Region

045 Muhabbat T. Tulyahodjaeva

Students' Engagement in Theatre Production Management: An Effective Learning Process of NAFA Department of Theatre

065 Yu Weijie

Perils and Prospects of Managing an Academic Based Theatre from a Macro and Micro Perspective: Case of DSCTA of the University of the Philippines Diliman and Dulaang UP

084 Belen D. Calingacion Alexander Cortez

The Conception, Vision and Implementation of "Theatre Production" in the Art Management Department

114 Chen Ke

(Stage) Management: The Ultimate Facilitator and (Subtle) Authority

124 Michael F. Ramsaur

Art Management and University Partnerships

138 Toda Munehiro

Training and Creativity in Planning and Production

148 Lee Hye-Jeong

On a Teaching Methodology for Acting

157 Lee Song

On the Necessity of Theatre Companies and Art Management

167 Mizuyachi Sukeyoshi

Ponder on the Reconstruction of Teaching Models of the Art Law—Taking Art Law Cases as an Example of Teaching Reform

184 Song Zhen

Some Opinions on Opening Marketing Course for the Student Stage Managers

200 Sun Liang

Theatrical/Stage Management in Vietnam

210 Nguyen Dinh Thi

Writing a Drama as a Means of Training the Ability for Analysing a Drama

216 Lee Won Gi

The Management Elements in the Religious Art

225 Naidan Gankhuyag

Minimalism Shown in the Opera La Traviata—On La Traviata Played at the Opera House in Daegu in 2010

237 Yim Chang Ju

The Art of Managing Art—Management within the Theatre Arts and How to Train for It

259 Aubrey Mellor

On Characteristics of Theatre Education Management in China

287 Song Ying

The Practical Teaching in Art Management Major

306 Xu Yongsheng

A Thinking on How to Expand Theatre Audience

330 Ma Shuzhi

From Hamlet to the Prince's Revenge—the Chinese Modality Explanation of Foreign Dramas

345 Wang Shaojun

The Traditions and Innovations of Theatre Management in German-speaking Countries

367 Li Yinan

The Studies on the Supervision System of Chinese Traditional Operas Training

382 Zhang Wenzhen