ATEC 6th International Forum: Creation and Practice of Dramatic Literature
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Choi Jeung-Il Contributing Editors: Wang Yana, Ju Ping Editor-in-Charge: Ding Xiaoqian Publisher: China Theatre Press Printed by Beijing Zhouji Printing Co., Ltd. Printed in Mar., 2012, Beijing (1st Edition) 580,000 words/characters ISBN 978-7-104-03686-9
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Contents
Dramaturgy and the Study of Text Analysis Methodology
017 Lee Dae-Young
“Fine Drizzling Invisibly Moists Your Outfit, Falling Petals Soundlessly Return to Earth”—Reflection on the Teaching of Creative Writing to the First-year Students of Department of Dramatic Literature
028 Hu Wei
The Voice of Hong Kong—A Brief Report on the Development of Playwriting in Hong Kong and the Playwriting Programme at the Drama School of HKAPA
040 Poon Wai Sum
How to Train Professional Playwrights/Screen Writers: On Different Choices of Teaching Methods and Procedures
060 Sun Zuping
Experience of Playwriting: The Course for Acting Students to Improve Acting Skills
067 Lee Won-Kee
Adoption of Individualized Instruction Method for Improvisational Dance in the Course of Introduction of Playwriting
077 Bae Hye Ryung
Solo Flights-new Directions for Solo Performance Projects in Drama Schools
089 Andrew James Mowatt
Creation and Practice of Dramatic Literature
103 Aubrey Mellor
Teaching of Traditional Southeast Asia Theatre in Singapore
126 Grace Leong
To Narrate the History Historically on the Teaching of the Theatre History
145 Li Yinan
A History and present of the Shota Rustaveli Theatre and Film Georgian State University
155 Giorgi Margvelashvili
A Postmodern Approach to the Teaching of Dramatic Literature in a Post-Colonial Setting
193 Alexander C. Cortez
Teaching Asian Theatre History and Theory—notes with examples from Sweden focusing on opportunities and risks
231 Christina Nygren
Adapting Journalistic Writings for a Drama cum Scriptwriting Class to preserve the Collective Memory of the Chinese Diaspora
247 Low Kok Wai
Speculations
269 Mac Wellman
A Story of Revenge: Several Readings of Hamlet—Checking the Strategy of Modern Theatre Criticism from a Text
296 Zhou Quan
The Artistic Expression of Uncertainty Principle in Contemporary Western Drama
318 Pan Wei
On the Self-independence of the Dramatic Literature Creation
330 Jian Heyan
The Education and Practice of a Drama Class
343 Lee Sang Beom
The Use of Case Study in Teaching of Traditional Script-writing Theory: Taking the Example of the Concept "Scene"
355 Liu Yanhui
Renovation and Impoverishment of Play (On the sample of Namdag)
364 Naidan Gankhuyag
Some aspects of Mongolian playwriting development
378 Batsaikhan Dashdondog
The Influence of the Classics and Intertextual Response—Taking “The Secret Love in the Serendipity of Peach Blossom" As Example
392 Ai Di
The Thinking of Home written by Cao Yu
410 Chen Xiaoling
The Power of Integration—On Educational Resources Integration through the Characters of the Classic Works "the Red Mansion"
418 Wang Qiang
On Teaching Acting and Directing as a Compulsory Course for Creative Writing Major
430 Zhang Duan