ATEC 7th International Forum: Theatre Globalization and Localization
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Choi Jeung-Il Contributing Editors: Wang Yana, Ju Ping Editor-in-Charge: Ding Xiaoqian Publisher: China Theatre Press Printed by Beijing Zhouji Printing Co., Ltd. Printed in Jan., 2013, Beijing (1st Edition) 400,000 words/characters ISBN 978-7-104-03899-3
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Content
Theatre-Globalization and Localization
005 Giorgi Margvelashvili
Embracing Global into the Local
014 Min Byung Eun
World Dance and Theatre in Thailand, Vice Versa, and a Theatre Department's Role
024 Pawit Mahasarinand
Strategy to Strengthen the Quality of Ketoprak Production: A Case Study of Javanese Traditional Theatre in Yogyakarta
042 Yudiaryani
Globalization and Mongolian Theatre
058 Suvd Namsrai
Transcultural Adaptation and Creation of Foreign Classic Masterpieces through Chinese Opera
072 Cao Yan
Interpretative Games for Directing Spanish Golden Age/Early Modern Theatre
084 Alejandro Gonzalez Puche
Localization and Globalization in Acting: Authenticity and Provocation: Focused on Actors and Acting Techniques
101 Kang Yang Eun
Exporting Local to the Global: Excavating and Dramatizing Local Narratives for a Global Audience
114 Low Kok Wai
Traditional Reference in Stage Design of Kunqu Opera A Dream in Red Mansions
136 Liu Xinglin
Traditional National Characteristics in Modern Chinese Drama
147 Jiang Ruoyu
Ritual: One Possible Theatrical Form
158 Yan Chengying
Seeds for New Directions in Theatre
168 Len Jenkin
Valuing the Aesthetic Features of Theatre
187 Li Jianping
Proportional Relationship of Stage Setting
195 Sun Daqing
Teaching Practice of “All Sounds are Music”: On Value and Significance of Phonology of Chinese Opera—Taking Tone as an Illustration
204 Wang Qiang
Chekhov on Chinese Stage in 1990s
217 Peng Tao
Universal and Provincial: Chekhov Our Contemporary
232 Aubrey Mellor
Introducing Chekhov's Play to the Students Great Inspiration and Challenge
252 Le Manh Hung
Physical Beauty, Personality Beauty, Temperament Beauty—“Human” Features of the Performing Arts
261 Ding Jianjun
Xoan: a Theatrical Traditional Ritual Singing of Phuto People in Vietnam
279 Triyono Bramantyo
Reform of Chekhov's Play
300 Naidan Gankhuyag
Extending the Seed of Chinese Opera Performing Style "Freehand"
313 Guo Yuejin
Theatre Practices Going Public-Wide: On the Localization of the Peasant Drama Experiment in Ding County and Its Significance
325 Zhao Zhiyong
Modernization and Localization of the Classic Plays
334 Sun Fei
Study on the Development of National Theatre Arts in International Context—On Development of Peking Opera Art Films
345 Liu Jing