1st World Theatre Education Convention: Asian Theatre and Theatre Education
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Park Dong-Woo Contributing Editors: Wang Yana, Ju Ping, Chen Yi, Dai Shujun, Yu Yi, Lin Jinji Editor-in-Charge: Xiao Nan, Cao Jing Publisher: China Theatre Press Printed by Guoying Printing Co., Ltd. First Edition: Apr., 2015 Printed in Apr., 2015 (1st Edition) 595,000 words/characters ISBN 978-7-104-04237-2
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Contents
The Confessions of a Failed Educator
009 Kim Yun Cheol
Asian Theatre and Globalization: Historical Perspectives
029 Christopher Balme
Ritual and Tradition of Asian Performance in an Irish Educational and Training Context
047 Brian Singleton
Teaching Essentials of the Acting Method of Hochschule fur Schauspielkunst "Ernst Busch" Berlin at Shanghai Theatre Academy: The German Class: A Long Term Experiment
061 Margarete Schuler
The Dramaturgy Seminar at The Central Academy of Drama
081 Li Yinan
Influence of the Integration of Drama and Other Art Forms in Performance Education -- Focused on Necessity of Practical Performance Education
102 Lee Kwang Bok
Imagination Training in Fundamental Directing Teaching
114 Ji Pei
The Multifunction Dart of Drama Clothing
130 Chen Xiangqun
A Study on Providing Direction for Future Theatre Education – A Successful Case of a University Theatre Production Called The Story of Sora, A Star in the Professional Field
137 Baek Nam Young
Exploring New Teaching Methods on the Graduation Creation of Theatre Directing – On the Creation of the Free-Style Opera The Scholar and the Executioner by Undergraduate Students in Theatre Directing at National Academy of Chinese Theatre Arts
151 Wang Yongqing
Teaching Leocq's 20 Movements Today in Singapore – Is There Still a Value in Teaching Movement Sequences in the 2lst Century?
172 Laura Hayes
The Actor 'Training' – An Exploration of Current Actor Training in an Arts School in Singapore
191 Andrew Mowatt
From the History of Theatre Education and Training Experience of Theatre Staff in Uzbekistan State Institute of Arts and Culture
208 Marfua Khamidova
The Study of the Recent Trends and Changes of Acting Techniques with Actors in Korea, and Acting Education for Futuristic Development in Acting Field
224 Kang Yang Eun
Vietnam Theatrical Education Bases on the Adaptation of the World Theatrical Education and Promotes the Ethnic Cultural Art Identity
236 Phan Trong Thanh
Japanese Theatre Theatre Education's Current Situation and Future Development
245 Peter Goessner
Theatre Education in Colombia's University
258 Ma Zhenghong
Theatre Ecological Education – On the Example of A. Chekhov and His Plays The Seagull and Uncle Vanya
271 Naidan Gankhuyag
Theatre Design Education in the Future
286 Park In Seung
The Aesthetics of Masks in Chinese Traditional Theatre
301 Corneliu Dumitriu
Roberta Carreri: Traces in the Snow – A Performed Artistic Autobiography with Emphasis on Asian Impact on Actor's Training in One of the World's Oldest Still Existing Group Theatres, Odin Teatret, Denmark
320 Annelis Kuhlmann
What Art Education, International Mobility, and Lighting Design Have in Common. And When Does Lighting Design Become Art?
339 Markku Uimonen
Understanding and Reflection on Asian Theatre and Theatre Education Studies
351 Snejina Tankovska
Traditions, Conventions, Belief and Magic
372 Robert Reid
Linking Tradition and Innovation - Maastricht Academy of Performing Arts
385 Sjef Tilly
Theatre Technicians for Today: The Needed Education
404 Michael Ramsaur
Theatre Education and XXI Century
416 Giorgi Margvelashvili
Experience of Training Future Masters of Scene
421 Oleksii Bezgin
Reflections on Asian Theatre – Japan, China and India in a Comparative Perspective
436 Christina Nygren
Technical Theatre Training in the UK-A Personal Perspective
461 Benjamin Rodger Sumner
Training for 21st Century Theatre
491 Aubrey Mellor