2nd World Theatre Education Convention: The Contemporary Interpretation of the Classic Drama
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Hao Rong Executive Editor-in-Chief: Hara Ippei, Baek Nam-Young, E. Sonintogos Contributing Editors: Yan Shuo, Lin Jinji Editor-in-Charge: Cao Jing Publisher: China Theatre Press Printed by Guoying Printing Co., Ltd. First Edition: Dec., 2016 Printed in Dec., 2016 (1st Edition) 270,000 words/characters ISBN 978-7-5039-6683-5
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Contents
The Classic Drama is A Foundation for Director's Skill
004 Dashdondog Batsaikhan
Korean Modernization of Shakespeare – Focused on Romeo and Juliet and The Tempest by Oh Tae Seok
020 Lee Hye Jeong
The Dramatic Fade of Drama in Contemporary Chinese Cultural Context – from the three communication styles of The Peony Pavilion · The Interrupted Dream to see the dilemma of classical opera masterpieces
034 Liu Xiaomei
Reconstruct Classics at Present – Teaching Interpretation and Discussion on Rehearsal of Coriolanus
051 Li Hong
Theoretical and Methodological Issues in Studying Classical Plays and Developing Theater Criticism
065 Tamar Tsagareli
Classics for the Future
082 Aubrey Mellor
Coexistence of Different Cultures – Comparison of Figure Modeling in Theatres of Robert Wilson and Tadashi Suzuki
109 Chen Xiangqun
Theoretical Approaches in Introducing Classical Plays into a Present-day Professional Theatre Education
116 Giorgi Margvelashvili
The Inheritance and Development of Chinese Opera in the Modern Society
130 Yao Zhiqiang
A Crossover of Traditional Chinese Opera and Modern Musical Theatre – An Analysis of the Musical The Long River
151 Yang Jia
Re-interpretation of the Classics in the Post-modern Context
165 Su Feng
Re-presentation of Classic Drama and Modern Performance
177 Xiao Ying
Embodiment and Research on the Shaping of Role's Voices in Musical Singing
193 Zhao Yan
Mind Practice for Actors – Inspired by Ch'an (禅，Zen) Buddhism
208 Kim Young-Jun
Infiltration and Integration – A Creation Practice for Eastern and Western Dramas from External to Internal
226 Cao Yan
The Directing Method of the Play Sarankhukhuu is the Firstling in the Professional Director's Plan
231 Munkhdorj Birvaa