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The Status Quo and Vision of University Acting Education


3rd World Theatre Education Convention: The Status Quo and Vision of University Acting Education 


                                   


Compiled by Asia Theatre Education Centre

Editor-in-Chief: Hao Rong

Executive Editor-in-Chief: Fujisaki Shuhei, Choi Jae-Oh

Contributing Editors: Yan Shuo, Lin Jinji

Editor-in-Charge: Qi Daren, Tian Tian

Publisher: Culture and Art Publishing House

Printed by Guoying Printing Co., Ltd.

First Edition: May, 2019

Printed in May, 2019 (1st Edition)

385,000 words/characters

ISBN 978-7-5039-6683-5



Contents

The Vision of Acting Education in Korean Colleges and Universities

020 Hyun Su Jung    Chung-Ang University, Korea

The Acting Education Bottleneck – Lack of Intrinsic Sophistication of Character

055 Jiang Ruoyu     The Central Academy of Drama

Imagining Tomorrow: Possibilities for Theatre Graduates

076 Aubrey Mellor   Lasalle College of the Arts, Singapore

Living Tradition and the Transmission of Performance Praxis within Institutions of Higher Education

096 Dominika Laster   University of New Mexico, the USA

Mission of Theatrical Education or Theory of "Dual Triangles"

115 Gankhuyag Naidan   Mongolian State University of Arts and Culture

Straddling Both Worlds: Hybridization of Drama School Training with University Theatre Program – A Case Study in Brunei Darussalam

135 Low Kok Wai   Universiti Brunei Darussalam, Brunei

Status Quo and Vision of Theatre Actor Training in in Vietnam University

157 Pham Tri Thanh Hanoi Academy of Theatre and Cinema, Vietnam

On the Training and Accumulation of Creative Quality of Beijing Opera Actor-Talking from Arts, China the Cultivation of Peking Opera Performers in the National Academy of Chinese Theatre Arts

179 Li Xiaoqin    National Academy of Chinese Theatre

The Status Quo and Vision of University Acting

199 Tamar Tsagareli   The Shota Rustaveli Theatre and Film Education, Georgia State University, Georgia

More Thinking, Less Emotion

212 Luo Yu    The Central Academy of Drama, China

Thoughts on Actors Training Programmes at the University Level in Japan

230 Risako Ataka   Toho Gakuen College of Drama and Music, Japan

Status Quo of and Reflection on Physical Training in Traditional Chinese Opera Performance

243 Sheng Yuanyuan   National Academy of Chinese Theatre Arts, China

Integrating “Theatre Experiment” into Theatre Education

262 Song Libo   The Central Academy of Drama, China

Thoughts and Explorations on Cultivation of Peking Opera Wusheng Talent Arts

285 Xu Xiaogang   National Academy of Chinese Theatre, China