ATEC 11th International Forum: Physical Training in Theatrical Education
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Hao Rong Executive Editors-in-Chief: Fujisaki Shuhei, Choi Jae-Oh Contributing Editors: Lin Jinji, Xiang Yueyi Editor-in-Charge: Tian Tian Book Design by Yao Xueyuan Publisher: Culture and Art Publishing House Printed by Guoying Printing Co., Ltd. First Edition: April, 2020 Printed in April, 2020 (1st Edition) 250,000 words/characters, with about 30 pictures ISBN 978-7-5039-6848-8 |
Contents
Body Training and Role Shaping in Theatre Performance
008 Yu Xin The Central Academy of Drama, China
Body Training in Theatre Performance
024 Han Xin The Central Academy of Drama, China
Cognition and Use of Body-To Explore the Cultural Characteristics of Body Training
044 Huang Wei The Central Academy of Drama, China
The Case of Creativity Development through the Physical Theatre Class
061 Lee Hye-Jeong Chung-Ang University, Korea
Body Training in Xi Qu Performance Teaching
077 Dong Deguang National Academy of Chinese Theatre Arts, China
Coaching of Martial Female Performers in Beijing Opera
096 Li Yali National Academy of Chinese Theatre Arts, China
Returning to Body: Starting Point and Ending Point of Contemporary Performance Training
113 Wang Shengyue Shanghai Theatre Academy, China
Bringing on Stage the Dual System of "Honne and Tatemae"
127 Peter Goessner TOHO Gakuen College of Drama and Music, Japan
Physical Elements in Mongolian Theatre Education
143 Ariunjoloo Myagmardorj Mongolian State University of Arts and Culture, Mongolia
Global Actor Training: Physicality, Digitality, and Sustainability in the Asian Conservatoire
164 Felipe Cervera LASALLE College of the Arts, Singapore