ATEC 1st International Forum: Reality and Perspective
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Compiled by Asia Theatre Education Centre Editor-in-Chief: Liu Libin Executive Editor-in-Chief: Hara Ippei, Choi Jeung-Il Contributing Editors: Zhang Yin, Liu Lina, Ji Hong Editor-in-Charge: Hu Jin Translators: Fan Lv, Jin Haiyan, Li Yuhua, Liu Lina, Piao Chunmei, Xie Jiangnan, Zhang Hongbo, Zhu Ning Publisher: Culture and Art Publishing House Printed by Guoying Printing Co., Ltd. First Edition: Sept., 2006 Printed in Sept., 2006 (1st Edition) 400,000 words/characters ISBN 7-5039-3096-9/J·821 |
Contents
The Central Academy of Drama: A University at the "Foot of Imperial City"
022 Xu Xiang
The Orientation of Teaching in the Department of Theatre, of the College of Art, Nihon University
034 Toda Munehiro
Prospects for Theatre and Theatrical Education in the Future Based on Korean Theatrical Education
043 Choi Jeung II
China's Theatre Education under the Background of West Learning Progressively Spreading to the East
058 Fu Jin
A Choice between the Two Different Theatre Educational Systems: Curriculum Development of Diploma-in-Theatre at Nanyang Academy of Fine Arts, Singapore
075 Yu Weijie
Acting Training in Hong Kong
081 Lin Lisan
Proposals on the Construction of Chinese Drama Education Connotation
091 Sun Huizu
A Summary of the Status Quo of Undergraduate Education in the Central Academy of Drama
104 Liu Libin
Present Situation of Curriculum of Drama Education in Art University of Japan
118 Fujisaki Syuhei
Educational Programme of College of Arts (Theatre) and Social Demand
128 Choi Chy Rim
Transmission and Development of Chinese Opera Performance Education
145 Du Peng
Evolutionary History of the Education Goals and Educational System of Shanghai Drama College over the Sixty Years
159 Tang Yipei
Pay Attention to Stage Practice and Cultivation of Invention
169 Zhang Xian
The Subject of Teaching in the Department of Theatre, of the College of Art, Nihon University in Light of the Development of Modern and Contemporary Theatre
182 Fan Lv
Integrational Education of Performance Art by Chung-Ang University
192 Park Dong Woo
Establishing Curriculum for Contemporary Theatre Education——On the Educational System of Theatre Academies in the Future
203 Ran Changjian
Major Direction and Curriculum Design of Stage Art Department of the Central Academy of Drama (Outline)
221 Zhang Kangmei
The Things That the Society Seeks for The University
230 Anazawa Mariko
Rooted in Tradition, Keeping Innovation (Introduction of the Thesis): Discussion on Education Way of Film & TV Department under the Central Academy of Drama, China, in light of Film & TV Edition Course of the Department
242 Lu Haibo
The Future and Prospects of Art Education in University
254 Kobayashi Naoya
Is the "Verbal & Physical Teaching" Method Out-Dated in Theatre Education? – A Perspective of Theatre Education from the Current Situation
264 Lv Suosen
Inherit the Past and Forge Ahead into the Future – the Course and Future of Continuing Education in the Central Academy of Drama, China
277 Ma Guojun
Practice of and Reflection on the Stratified Training of Specialists in Theatre, Film and TV – the Status Quo and Further Development of the Vocational College of Film and TV Art
290 Guo Fumin
Teaching Activities and Social Demands on the Arts (Drama) Universities – Explore the Ways of Training Pragmatic Dramatic Talents
301 Hao Guang
On Anthropology and Drama Education
312 Ding Jianjun
Paper of the 1st International Forum for Asia Theatre Education Advantages and Development of Dual-track Teaching
326 Ding Ruru
Carrying Forward Tradition, Updating Conception, Stressing Standard and Launching Innovation – Increasingly-perfected Performance Teaching
341 Hao Rong
Exploring the Education of Arts Management in Professional Art Institutes—The Major of Arts Management in the Central Academy of Drama
352 Shang Ergang
Classical and Modern: Dual-Track Development—On the Selection and Institutional Support of the Optional Courses of Human Culture for Art Academies
363 Liang Jianming and Liu Xiaomei
Theatre Education and Cultural Self-consciousness
376 Bao Hongwei
Exploring A New Model of Training Multi-Faceted Acting Talent
384 Huang Dingshan
The Differences Between In-Class Sketch and TV Entertainment Sketch—New Teaching Steps For Acting Influenced by New Circumstances
399 Cui Xinqin
Individuality, Characteristics, Tradition and Innovation—Some Thoughts about School Management of Art Universities
410 Wu Ge
Popularizing the National Education of Beijing Opera, Protecting the Art of Beijing Opera
424 Guo Yuejin
The Necessity of the Adaptation of Theatre Education to Social Demands—Theatre Education of Art College of Yanbian University
436 Fang Meishan
The Development of Art Colleges: Present Status and Strategic Consideration
445 Tong Ruimin